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The music is aggressive and quite fast bashing with full force at times, but leaves room for more stylish technical exploits: the jumpy hectic "Room For 1 More" which comes served with nice, but short leads the excellent mid-paced instrumental "Graven Scripture" which is the most melodic (except for the wild frantic ending), but is truly one of the best tracks. The full-length: this band offers first-rate intricate thrash/proto-death metal akin to Atheist, Funeral Nation, Revenant, and Hellwitch on the more frantic parts. Longer and the more dragging songs have been placed. The problem is that there is not much speed here, and the monotonous riffs may tire the listener near the end where the The singer is low-tuned, and his semi-clean tember could be barely heard at times. There are balladic instrumental inclusions ("Taurus"), excellent heavy atmospheric semi-ballads ("D-Caf"), and playful funky variations ("Fragments Of Insanity"). This is good modern power/thrash, an interesting diverse stuff with heavy meaty riffs which never stay stale, but move around constantly switching from one tempo to another without ever reaching the very fast parameters.
The sound quality is much better, and the musicianship has improved quite a bit (check the addictive leads on the excellent epic speedster "Negacio Das Almas", the highlight of the album), but as a whole this otherwise cool effort will fail to The only full-length the guys recorded only partially preserves the raw aggression of the demo settling for more moderate power/speed metal with not many shades of thrash: "Causa Perdida" is a good example of the latter being a cool semi-technical "Tales of Glory" is the oddity here being a calm epic power metal piece with a very good bass bottom. The music is speedy with melodic and sharp hooks taking turns under a not very good sound quality. The debut demo is four songs of edgy energetic speed/thrash metal clinging more towards the American models, along the lines of mid-periiod Helstar and Savage Grace. Watch out for the splitting closer "Hate For All", another all-out mosher, which wraps up this effort with reckless abandon supported by the good expressive shouty vocals. Anyway, this outfit specialize in modern "shovel" thrash/post-thrash which is quite vivacious and energetic without completely lacking the groovy "traps" the latter almost missing from the ripping headbanger "Soldiers Of Pain", and of course from the Sepultura cover of "Biotech Is Godzilla" in the middle. Some trust in "shovels", some trust in "spades". The guys lose it near the end, though, by epitomizing a mellower sound finished with another ballad ("Simply Alone Now"), this time too tender and There's absolutely no temptation at a faster play: everything is stomping and mid-paced at best with a few alternative deviations (the cool ballad "Eternal", accompanied by a much better clean voice, compared to the harsh hardcore shouter on the rest). "Level 6" is a tad edgier, but the fun for the thrash metal fan would be minimal the guys have settled for their radio-friendly modern, groovish metal and apparently have no intentions of breaking the formula any time soon.Ī heavy mix of post-thrash and hardcore with echoes of mid-90's Sepultura, and Puncture on the more industrialized moments. This would be a total waste of time for the thrash metal fan, and even the diehard fans of the band would be quite disappointed. "Za Put Minut Po Smrti" is really bad, post-thrash without any life and intensity, just rehashed mellow riffs to no end with power and heavy metal present more than the good taste allows. There are whole 16 tracks here so expect a couple of more laid-back power/thrash metal numbers which are also cool although the gruff vocals kind of don't suit them too well. "Personal Destruction" is a much harder offering containing vigorous intense retro thrash with good speedy riffs and sinister semi-declamatory vocals, but it is not exactly "Brutalni Chaos", like the opener's title tries to imply. The last three tracks abandon the thrash metal idea, one of which is a cover version of Black Sabbath's early hit "Children of the Grave" sung in Czech, and done awfully. The tempo is mid to up at best, and somewhere towards the middle the music acquires the expected modern tendencies, which stay till the end, spoiling considerably the little impression made previously from this pretty pedestrian effort. Copyright (c) 2007-2022 THE THRASH METAL GUIDEĠ-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Zīased on "Pod Vodou", these guys play melodic thrash which for the time sounds quite retro, but also quite toothless and soft.